“The lighting design by Conor Mulligan is superb. The old fashioned shadow effects are stunning.”
— Broadwayworld.com - The Giant Hoax
“Nathaniel Sinnott’s set design, Conor Mulligan’s lighting and Sarah O’Halloran’s sound create a striking, believable alternate reality where power, gender, sexuality and familial and romantic love collide.”
— The Baltimore Sun - E2
“Conor Mulligan’s Lighting Design is visually memorable. It creates mood and allows the audience to use their own minds to envision what is happening, for instance in the final prison scene with Gaveston.”
— MD Theatre Guide - E2
“The tech is also top-notch as one would expect from a Helen Hayes Award-winning regional Theatre. James Fouchard’ set is a playground full of theatrical bells and whistles; designers Conor Mulligan and Sarah O’Halloran’s lighting and sound are breathtaking.”
— The Baltimore Sun - The 39 Steps
“The whole design team makes for a terrific and fun evening”
— Broadwayworld.com - The 39 Steps
“Conor Mulligan’s Lighting Design is a valuable tool in this farce. It elicits all the necessary reactions by the audience without being intrusive.”
— MD Theatre Guide - The 39 Steps
“The choice to illustrate gunshots with flashing LED lights instead of sound effects was extremely impactful against the almost entirely pitch-black scene of the massacre.”
— Theatretravels.org - Columbinus
“The lighting design by Conor Mulligan is especially memorable in Act II where bright flashes punctuate the fearful intensity as the killers’ plan transpires.”
— Broadwayworld.com - Columbinus
“Conor Mulligan’s chiaroscurist lighting nicely conveys the season’s passage, as gilded summer turns to autumn.”
— Broad Street Review - On Golden Pond
“Conor Mulligan’s lighting design is the epitome of gloom...This professional production of Sweeney Todd is worth seeing. If this is your first view of the Sondheim musical, you are in for a visual treat. If you have previously seen it, this interpretation will add another dimension to your understanding.”
— DC Metro Arts - Sweeney Todd
“The whole artistic team ably supports the production...the lighting design adds the appropriate mystical atmosphere well before a challenging blackout sequence”
— DC Theatre Scene - Fly By Night
“Lighting Designer Conor Mulligan embrace[s] Fly By Night’s pre-occupation with the dichotomy of light and dark”
— Broadwayworld.com - Fly By Night
“...subtle, yet effective lights designed by Conor Mulligan”
— MD Theatre Guide - All She Must Posses
“Lighting Designer Conor Mulligan clarifies each shift in time and perspective.”
— DC Metro Theatre Arts - All She Must Possess
“Her monologues on magic atoms are heightened by Kevin Anthenill’s hauntingly beautiful sound design and Conor Mulligan’s often mesmerizing lighting, on Charles Murdock Lucas’ artfully cluttered apartment set.”
— The San Diego Union-Tribune - The Effect of Gamma Rays on Man-in-the-Moon-Merrigolds
“Conor Mulligan’s shape-specific lighting design adds an element of space and location in absence of sets.”